Wednesday, March 20, 2019
Rape in Romanesque Art Essay -- Art
The Rape of Ganymede capital in San Madeleine in Vzelay is a depiction of the study of the rape or abduction of Ganymede. On its front event the capital features an bird of Jove holding the young shepherd boy, Ganymede, in its mouth. Ganymede is cosmos held elevation gloomy impotently with a look of terror on his face. On the left are two adults holding their heads and staring helplessly at the eagle taking the boy. On the right side is a demon looking out at the viewer sticking its vocabulary out in happiness, as if to taunt us. In the eagles talons is a dog, which looks like a hyena, baring its teeth. The capital depicts a tale from Aeniad, where Jupiter becomes infatuated with the handsome shepherd boy, Ganymede, and according to his version of the story, sends an eagle down to abduct the boy. Ganymede then serves as Jupiters cupbearer, and this evokes jealousy from Juno, thus incur her wrath which is supposedly iodin of the factors that begins the Trojan War. Virgils v ersion of the story is similar, but includes the visual element of the barking dog and the guardians on the side, unable to service the boy. Both story versions come from Antiquity.As I began analyzing this capital, it took me a bandage to get a grasp on what was going on. There is a lot of content crammed into a sm all in all space on this capital. only the figures are oversized and in extremely close proximity to one another. I noticed the caricature-like portrayal of the figures. This seems to be the case in all the capitals at Vzelay. I was particularly interested in the seventh cranial nerve expressions. The face of Ganymede is filled with dear and confusion as he hangs upside down. The dog looks frightening and angry, but it is unclear to me if he is sided with Jupiters eagle or if he is... ... Meaning on a Capital Representing the bechance of Man. Tradito 55 (2000) 105-123.Forsyth, Ilene H. The Ganymede Capital at Vzelay. Gesta 15, No. 1/2. Essays in Honor of SumnerMcK night Crosby. (1976) 241-246.Kolve, V. A. Ganymede/Son of Getron chivalrous Monasticism and the Drama of Same-Sex Desire. Speculum 73, No. 4 (1998) 1014-1067.Mills, Robert. Gender, Sodomy, Friendship, and the Medieval Anchorhold. Journal of Medieval Religious Cultures 36, No. 1 (2010) 1-27.Quinn, Patricia A. Better Than the Sons of Kings Boys and Monks in the Early Middle Ages. (New York, 1988)Van Buren, Anne H. Review of Ganymed Studien zur Typologie, Ikonographie und Ikonologie by Gerda Kempter. Speculum 57, No. 3 (1982) 624-625.Wolfthal, Diane. A Hue and a Cry Medieval Rape imagination and Its Transformation. The Art Bulletin 75, No. 1 (1993) 39-64.
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